Talking Out Loud: Zainido Decor…..

There has been an explosion of young entrepreneurs along the West Coast that are not in dot-com or finance.  These new waves of young business owners are embracing more traditional job paths that forgo IPOs and embracing alternative careers.  They are artisans, crafts persons, shop owners and skilled collectors who are keeping time-honored traditions alive.  ”Talking Out Loud” is a chronicle of the conversations with these people about their work, life and inspirations……

Fate has a way of introducing you to people you need to have in your life.  That is how I felt when I responded to an online ad selling a pair of vintage chairs.  Meeting the seller, Dana, was like meeting a long-lost friend…..warm, witty, passionate about design and pretty darn funny.  Aside from discovering her love of vintage, I pleasantly surprised she is a purveyor of high-end mid-century art glass.  Her shop & showroom is filled with amazing pieces in every hue of the rainbow for rental or sale.  She quickly became my defacto source for art glass and the occasional gabfest, so I am excited to share Dana and her shop Zainido Decor with you…..

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Why opening up a mid-century store specializing in art glass?  There are so many different types of retail stores to open, so what was it about the San Francisco/Bay area landscape that promoted you to open this type shop? 

Glass, to me, has always been a stunning component that can be added to any room. Either in groupings or as a statement piece, it does a seductive dance with light that is hard to resist. I am a firm believer that when you specialize in something, your energy is focused on learning and putting out the best products, so as a collector of glass, it just made sense to be a vintage company that specialized in Mid-century Glass and ceramics.

I was actually born in Phoenix, AZ, but raised in the SF Bay Area and I’ve always had a love affair with it. In terms of design & antiques, the Bay Area has always loved me back with opportunities in the diversity of clientele and their vision.

Did you have a previous career before opening up Zainido Vintage?  If so, what was it and has it helped you with the current business?

I did. I am an Interior Designer by trade and a lifelong student of history. With these two, they have definitely given me my grounding when it comes to knowing design styles and identification. I feel that being able to identify what period an aspect of design, such as a fabric, a furnishing or an object is from in really important and often overlooked when it comes Interior Design. I think that might be the “purist” in me.

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What is it about art glass and mid-century furnishings that interesting to you?  What intrinsic or aesthetic qualities about the material/medium drew you to it?

In Mid-century Modern, you had risk that were taken and an innovation with materials and shapes that just doesn’t happen in the present day.  I was collecting MCM before I knew what it was called, so I have always gravitated to the style, admittedly over time my style has changed, but it will always be Mid-century Modern.  When it comes to glass, there is something so magnificent about a material that you can form with fire, whether it is translucent or opaque that mimics the brilliance of gems.

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Where do you get your products from for the store?  What criteria do you use to select fabrics to present to your customers? 

I source everywhere, even in different cities. Funny enough, its come to a point where, if I walk into an establishment like a thrift shop or antique store, all I see is the glass and go directly to it, like an obsessive tunnel vision. Even, lately when I watch TV, I’m looking at what is behind the acting on the cabinet or the table.

At the center of it all, I am a collector FIRST. I buy based on beauty, what I love, what moves. Over time, as my buying has evolved, it has also stepped up as well. My clientele, know my style, trust it and keep coming back for more. That’s what has worked for me; it’s a sort of consistency.

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In your expert opinion, what are you looking at when selecting a piece of vintage art glass?  Any tips you can share for determining the age or value of a piece?

I’m always paying attention to colors and color trends, which play a large part in how I buy and how my clients buy. For instance, with Emerald being chosen as this year’s color by Pantone, I have noticed a high demand for greens in general.

Here are some rules I use when searching for that special piece:

  • Decanters with flame tip stoppers and apothecaries with the ball handles are not being made in the present day because the stoppers and the lids are too difficult to mass-produce. So if you find a decanter with a flame tip stopper or an apothecary with a lid, chances are this piece is vintage.
  • If a piece has a “Pontil” mark (an organic looking button on the bottom of a hand-blown glass piece where the pontil rod was broken off after the piece was finished) on the bottom, then it’s probably older and definitely hand-blown. More recent pieces have this ground down creating a circular carved out effect on the bottom. There are some exceptions though.
  • There are some shapes and textures in vintage glass that aren’t being reproduced today as well, for instance, the optic pattern that is often seen in goblets and decanters, the linear optic pattern that can be seen in goblets and apothecaries are great indications of an older piece. Additionally while some shapes are always around others have remained in the past giving them a special home in the mid-century cabinet.

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Like myself, you are a minority business owner in the rather competitive world of design.  Do you think your experiences as an African-American woman have influenced your design aesthetic and how you do business?

Definitely. As a design student, I sought out mentors in the design industry and  never had one. So I promised myself that when I was finally out there as a professional, I would do all I could to nurture up and coming minority designers and retailers that wanted help.

As a business owner, I also try to embrace other minority businesses in the industry because I do feel that they often don’t get the exposure in the design industry.

So I have to ask, where did the name of your shop Zainido Decor come from?  

I plead the fifth. Let’s just say, when you are last on a list, you have the last  word. Wink.

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If money was no object, is there a piece of art glass or mid-century jewel that you would go out and buy for yourself?

It would have to be a structure. There’s a house that I’m always walking through in my dreams that is the perfect combination of about 6 famous houses. So my answer would be, I would build the most amazing house & then put all my pretties in it!

You opened up what many would say is a non-traditional retail store and have succeeded quite well with it.  What piece of advice would you give to a budding retailer who is looking to open up his or her own store?

I would tell them 5 things-

  1.  Do it, Do it, Do it. Don’t let anyone tell you how hard it is, how much money you need or that you will fail. If it is your passion you will do well.
  2. Keep your overhead extremely low. The money going out of your business should be very well accounted for.
  3. Start small, meaning, you can always find a bigger space, when you need It. You can always hire some help, when you need it & etc. Its harder to scale down then to scale up.
  4. Put on a good face at all hours. If you have a display window in your space, make sure it is a showstopper 24 hours a day. Install good lighting so it sparkles at night. You’d be surprised how many people shop your store just by walking by.
  5. Rotate, Rotate, Rotate your merchandise. Create a different vignette every week. It’s not mandatory to constantly buy new merchandise, especially if its slow. Give you customers a new way to see it.

You are also a Mom to a beautiful daughter who is now watching her home run a successful design business.  Do you see her taking the reigns at some point and helping with the family business? If so, what is the one thing you will tell her that you wish someone had told you about design?

I would love it if she decided to go into the design business. She loves “mommy’s glass”, all the colors and going to the flea markets with me.  I would probably tell her to walk to the beat of her own drum and follow her instincts after school. There is no set program or directive that design students need to take after they graduate and I believe being young with vision is an essential key to happiness and success. Which is exactly what I did!

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THANK YOU Dana!  I love Dana’s approach to her business as well as the sage bits of advice she is dropping for wannabe retailers.  As a new shop owner, some of these points hit home for me and are definitely now burned into my psyche.  To see more of Dana’s art glass and other mid-century finds she has for sale and rent, visit Zainido Decor!

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Joy & Revelry Launch & Contest……

If you noticed a disturbance in the “design force” yesterday, it was because we had a game changer occur……. Joy & Revelry officially opened and debuted the Style Maven Shops.

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As a refresher, Joy & Revelry works with social media influencers and bloggers to create their own online retail experiences.  I was lucky enough to be asked to join the inaugural group of Style Mavens a few months ago and we have all been working hard on our respective stores sourcing products, styling photo shoots and promoting the brand.  It’s a full-time job but so rewarding to see the physical embodiment of our brands.

To give you a little better idea of the concept behind my store and Joy & Revelry here is a video we shot for the site …….

To kick off the launch, Joy & Revelry is conducting a Pin It To Win It Contest for a chance to win a $500 shopping spree on the site!

J&R Pinterest Contest

Contest Rules

  • To enter you must be a member of Pinterest. To become a member of Pinterest, visit www.pinterest.com to request membership.
  • To enter the Sweepstakes, Head to Pinterest & create a board titled ”Revel & Enjoy Design ”
  • Pin at least 3 photos from the Joy & Revelry web site
  • Add at least three additional pins to show what inspires your personal design style
  • Tag your board with the hagtag #joyandrevelry
  • The 5 Style Mavens + one guest judge will vote to decide the most unique and creative board showing self-expression
  • Entry board per person permitted during the Sweepstakes Period (April 30 – May 14).

Later in the week I will be sharing the concept behind my Joy & Revelry collection and some of the amazing items in it!  Don’t forget to register so you can explore not only my shop but the other shops of all the other amazing Style Mavens!

So excited I just can’t stand it!

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Talking Out Loud: Drygoods Design….

Talking Out Loud is where I talk to young entrepreneurs and artisans about their careers, the path of how they got there and what lies on the horizon for them.  It’s their thoughts, their words and their journey…….

This time around, I was lucky enough to talk with Keli Faw, owner of the Seattle-based fabric and craft store, Drygoods Designs.  I was introduced to Keli and her store through mutual friend and fellow interior design, Beth Dotolo.  Nestled in the historic Ballard neighborhood of Seattle, Drygoods Design is unlike any fabric store I have entered.  Sparkling wine is chilling in ice buckets for harried patrons to sip and while their children play in a designated kid’s area.  Fabrics are displayed along side jars of old-fashioned candy; a riotous explosion of print and pattern that is actual eye candy for the textile soul.  And in the center of it all is Keli……

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Why opening up a fabric store? There are so many different types of retail stores to open, so what was it about the Seattle landscape that promoted you to open a retail fabric shop?

The retail storefront turned out to be a byproduct of my online shop. I started an online fabric site in the spring of 2011 because I wanted to grow my small line of handmade goods which were carried at some local shops. By the beginning of 2012 I was growing out of my small office space and had several local customers that wanted to come and see the fabric, pick up and have a more personal experience but my tiny office wasn’t working. I no longer had time to make my line of goods but was now helping others find fabrics they couldn’t find easily in other parts of the globe, the US and even Seattle. While some of the local fabric retailers carry some assortment of modern motifs, there’s never been one that felt edited. My customers seemed to like the online experience and so my goal was to make that happen in the brick and mortar version as well. Now that we opened the sewing studio, the focus shifts to not just what people want to make but how to make it too.

Did you have a previous career before opening up Drygoods Design? If so, what was it and has it helped you with the current business?

I come from a background in business, PR and communications. You’d think that I would be really proficient at promoting my business, however, almost all of our retail business has been by walk-in and word of mouth. I didn’t want to promote it until I felt we were really ready as it’s not a traditional type of place. I think what’s helped me most is trying each day to think about our customers. I try to approach my business by thinking about what I most enjoy in a shopping experience and service versus what’s the most profitable or cost-effective. It’s important it makes business sense, but I’d rather have gradual growth born out of customer care versus rapid and impersonal.

What is it about fabric that interesting to you? What intrinsic or aesthetic qualities about the material/medium drew you to it?

About six years ago I inherited an old sewing machine and taught myself how to sew and in doing so discovered that there were some affordable and modern fabrics out there. I became addicted to not only making things but the search for beautiful fabrics. I am a stickler when it comes to the hand of fabric – how it washes, drapes and feels. We are touched by cotton everyday and that is what I love most about it. You don’t have to like to sew or craft to appreciate textiles or be drawn to them.

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Where do you get your fabrics from for the store? What criteria do you use to select fabrics to present to your customers?

While the majority of the fabrics we carry are deemed mid-weight or quilter’s (for its ability to shrink equally on the warp and the weft) cotton, we also stock home decor, apparel and outdoor fabrics. For almost all I work with the manufacturers or their reps, but some I have to find brokers or “jobbers.” I typically buy by color versus collection as I want to have different prints work across all the companies I carry versus people be locked into buying from one collection. Almost all the fabrics we carry have to be either a customer request or something that I truly love before it comes into the store. You hardly ever like all the songs on an album and to me fabric is very similar, so I try to edit down each of my buys into the best of the best. It’s really hard since there’s so many amazing options and I can’t carry everything. For example, I would love to carry Marimekko but at $40+ a yard and Crate & Barrel carrying it, it doesn’t make much sense. I try to tame my wish to carry more by also stocking complimentary products like packaging, gifts and cards that work well with the fabric.

In your opinion, what makes a “good” fabric? Has there been any fabrics that has made you stop in your tracks recently and say “wow?

While it depends on its use, I think ‘good’ fabric is a textile that invokes an emotional, almost visceral (in a good way) response. Sometimes it’s merely the weave or the texture that can have you smitten but most often it’s the motif or print that draws us to one print over another. Color is a huge factor as well. Novelty fabrics certainly have their place but just like anything, I love fabrics that don’t hit you over the head with their intended use or theme and let you draw that out or shift it by your eye deciding how you want to live with it. The second part is the quality of the base cloth. It has to feel right and drape in a manner that lets you see the possibility of what it is on the bolt. My current loves are illustrated geometrics and a return to the combinations of yesteryear with tight florals and geometrics playing off each other. We stock Liberty of London Tana Lawns and seriously, it’s like they were woven by angels. I have some Japanese fabrics headed in that I ordered at least five months ago and they will definitely have the wow factor.

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How would you say living in Seattle has informed your selections for the store?

While I have lived in Seattle almost 10 years, I still don’t consider myself a local. A great deal of my influence is probably from living outside of the Northwest. I believe though that being in Ballard, the old Scandinavian fishing village/neighborhood of Seattle, definitely impacts my responses when I see vintage Scandinavian, viking motifs and subtle nautical prints. And we probably don’t focus too much on resort style prints given that it’s nice about three months out of the year here.

So you own a fabric store, so it begs to be asked…do you sew? If so, what is your favorite thing to sew?

Thanks to the opening of our sewing studio, I am sewing more now than I have since I opened up the shop, which is a great deal of fun. While I am starting to really enjoy sewing apparel – my favorite sewing is for those I know and care about. Being able to envision the person(s) using what I make, it’s truly what it’s all about for me. Those projects range from baby goods to accessories that they can use and enjoy.

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If money was no object, is there fabric that you would go out and buy for yourself?

More Liberty of London Tana Lawns to keep, original supina ikat, more vintage fabrics.

You opened up what many would say is a non-traditional retail store and have succeeded quite well with it. What piece of advice would you give to a budding retailer who is looking to open up his or her own store?

Thanks for the kind words! It’s all about knowing that no matter how hard people might tell you it is and how much work it will be, you have to know your own limits because until you’re in your own experience you won’t realize it’s even harder than one could imagine. I don’t regret my choice but it is not for everyone. You have to love, I mean really love, interacting with all kinds of people and working around the clock. I am still in the thick of it as it appears I like to add a new layer every six to eight months:). My husband and two kids definitely sacrifice for this to build up and I can’t wait to repay all of their support.

Fabric is often used as a metaphor to describe the interwoven qualities of life. As a fabric retailer, your products find themselves in the most intimate aspects of your customer’s lives – from their children to their homes. What would be the highest compliment you think you could receive from a client who used on of your products?

That’s a great question (and so hard to answer). I feel really lucky to have the online and in-store customers that we have. Until we opened the studio, it was the feedback around customers feeling taken care of and cared about when they shopped, both online and in-store that really made each day. Now with the studio, it’s really amazing to see people learn and grow confident in their own ability to make things. That injection of creativity and community is truly incredible and I pinch myself that I get to be a part of it. It is a derivative of a ton of work but worth it all.

Thank you Keli for sharing your insights with us!  I now need to learn to sew so I can put all the beautiful fabrics from Drygoods Design to use……

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